Absinth dancer

There’s a little absinth dancer at the corner club todayAnd the eyes are all upon her as she slowly, gently sways
She doesn’t see the staring as her mind is far away
Chasing chartreuse butterflies, she’s gently soft at play

The little absinth dancer likes to gyre away her time
On this, her dimly little floor, while listening to rhymes
And the men upon the stage will drum to help her keep her time
The blank look on her patient face is serenely sublime

No one knows the absinth dancer’s name or house or role
No one knows whence she arrived upon her languid little stroll
No one knows what ghastly thing she drinks her absinth to console
They know only that to dance upon a hardwood floor’s her goal

So let’s watch the little absinth dancer rotate as she sways
And we’ll view her as she sips and spins her little time away
Let’s disturb not her gyrations lest she not decide to stay
For her presence makes the lonely little corner club less gray

Firecracker

We are gradually losing my Grandma.
When I was a child, I identified with her more than anyone in my family. She had such power—I thought she could have chewed nails and spit bullets. She was loving, and affectionate, and fiery enough that no one ever wanted to make her mad. I don’t know that I gainsaid her on anything until I was into my twenties. Fierce in love, fierce in anger, she was both frightening and comforting. Grandma told me once that if anyone ever hurt me, she would have them killed; she said she knew people. I’ve never once doubted that she’d have done it. She had – has – a qucksilver temper and a passion for everything. She has owned every room she’s ever been in as long as I’ve known her. She, as much as anyone, taught me that everything is worth knowing and that everyone is worth something.

Grandma’s always had health problems. When I was very young, they were like quirks. It was another reason for her to rail at the world, another thing that she could fight off tooth and nail. I’d tell stories to my friends: Oh, Grandma Zeigler doesn’t have any feeling in her feet. She stepped on a nail at the fair once, drove it all the way into her foot, and didn’t know until she came home. She just pulled it out and went to the doctor, as if it was nothing. Gradually things got worse, but it was never really scary. Surely, no ailment could scare her. If anything, disease should be terrified of her, like everything else.

Grandma Zeigler has always been old to me, of course, as long as I can remember, but now she’s elderly. She’s gone from firecracker to frail, and someone who could have tackled the world now needs assistance to tackle the stairs. She is beautiful, and powerful, but also sad and frightened, and my world shakes.

She’s going to go away from me. I don’t know that it will be soon, but it will be sooner than later, and I won’t be prepared. I don’t know how the world could exist without her. She’s such a weight upon this planet that part of me is convinced it will just float away into the sky when she is gone. I love her deeply, but more than that she is a part of my identity.  In her absence I don’t know who I will be.

I don’t see her enough. More than I used to, but less than I ought to. Less than I want to. In the moment, sometimes it’s hard to make the trip; it takes a whole day, and I often have other plans. I know, though, that I need to see her more often before those other choices become regrets. I do miss her when I don’t see her, but I know that’s barely a taste of what I’ll know when she’s not there to see.

I don’t want to eulogize her here, though. I just want to love her, and to record that love before it’s too late.

I love you, Grandma.

Nick's Bourbon-Peach Pie

You will need:

  • Two 9” pie crusts. I made mine from scratch, but I don’t plan on dealing with that recipe here.
  • 1/2 cup of your bourbon of choice. I used Jim Beam, which is not actually my bourbon of choice, but it’s fine for cooking.
  • Two tablespoons of blackstrap molasses.
  • 1/2 tablespoon of sugar. I use turbinado.
  • Two chilled beers.
  • Some cinnamon and nutmeg, and just a little ginger. How much? Hell, I don’t know. Who measures spices? Use, um, two teaspoons of each, half of that for the ginger? There you go.
  • Four or five cups of peeled, sliced peaches that you picked in an orchard with someone you love very much.

Open a beer, and drink from it periodically while cooking. Combine all ingredients except the peaches, crust, and beer in a small bowl, and stir to combine. The molasses should dissolve rapidly into the bourbon. Once the mixture is fairly uniform, pour over the peaches in a large bowl and stir a bit to coat all of the fruit. Cover, and let sit in the fridge to marinate for a bit; a few hours would be good, overnight appears to be ideal.

Open the second beer, repeat beer process above. Preheat your oven to 475 degrees. Put one pie crust in the bottom of a 9” pie pan, and fill with the peach mixture. Put the other crust on top, crimp it together with the one underneath, and then poke holes in it. Wrap the edges of your crust in foil, unless you’re using my beautiful homemade crust that just browns perfectly without burning. Bake for, um, 30-45 minutes? Bake it till it’s done, I dunno. The crust will firm up and turn brown, and then it’s ready. Remove from the oven, and let cool for at least ten minutes before slicing.

Serve to people that you want to owe you a favor.

Coming up volunteer

I lived the first seven years of my life in Greensburg, Indiana, where the great majority of my family members live, provided I’m not counting ex-, step-, and ex-step-family. It’s a sweet little place, although they did just put in a Honda plant so it’s rapidly growing up. It’s the very picture of small-town rust/grain belt, where almost everyone—myself included—is at least related to someone who owns a farm and many other people who work at a factory. It’s very pretty, and very sleepy, and it’s home to me in a weird way that’s actually a little uncomfortable whenever I go back. I have a strange relationship with nostalgia.
Greensburg’s claim to fame, and the genesis of its epithet “The Tree City”, is that one day, many years ago, a passing bird must have dropped some seeds on the courthouse tower, which happened to take root among the shingles. Several trees sprang up, and grew rather happily there. Many had to be removed, but a couple were left, and to this day there is always a tree growing from the top of the tower.

The tree is an aspen. The word “aspen” probably does not, to anyone except myself and about 10,000 conascents, evoke small-town Indiana. This particular species, Populus grandidentata, does occur in Indiana, but certainly doesn’t thrive here, and generally withers. This is not its climate. When it does appear here, it is normally well north of Greensburg.

By chance, a bird dropped a seed deep in small town southern Indiana, on a new courthouse. That seed, finding itself in an inhospitable climate and an almost impossible perch, put down roots anyway, and grew into something that simply shouldn’t be where it is. People come to stare at it, marveling a bit, and then they wander away, but the tree endures, and while it may be someplace it doesn’t belong that doesn’t make it any less an aspen tree.

On some level, I think I’ve always identified with that tree.

And at the End

I have been traveling for ages, past rolling hills and green woods, house and office, skyscraper and river, through tunnels, over bridges, past hill and mountain. I have been struck through eye by the beauty of my path, bemused and hypnotized by the sights before me. A copse of trees pushed through a cornfield behind a constellation of fireflies. A square of sunlight grew large as I traveled under a mountain. Woods blued in the distance, obscured by the very air between us. My trip showed me the wonders of nature and of human nature, our construction sideby hers, each blending into the other. The towers of New York, the fields of Ohio, the namesake woods of Pennsylvania, far more of New Jersey than I ever thought I’d see, some sliver of West Virginia’s mountains, and part of Connecticut unspoilt by forced quaintness. Even my Indiana home has its sights, though it can take a practiced eye to extract them. My trek seemed shortened by the things I saw.
And at the end was you, and thus the destination eclipsed all the eyewide wonder of the voyage. Had the trip been longer and the beauty less, it would be foolish to count the time anything but well spent. You, my love, were a sight most needed, and our love itself the greatest thing to strike my eye. We are of a piece, one kind, and it is nothing but tragedy that we are far apart for long.

The denouement is that I returned, trying and failing not to let the beauties passing by in reverse be tarnished by an unwelcome trip that was as much homeleaving as homecoming. To be back among the familiar is a blessing terribly mixed. Know this, though, as I know you do; I will come to you again, and again, as much and as many times as I am capable. I need to be where you are, love, and I will work toward that with all of me.

I never fail. I will return.

Vitesse

This is
Fast

So fast and

I don’t know if our leporid pace

Is dangerous

What I do know is this:

I need to know

And to know

I must move now

I must move fast

And I must move toward you

And so speed is not the question

But the answer to the question

Of you

And the only question left is not

“Am I moving too fast?”

It is

“Am I moving fast enough?”

I’ll know tomorrow.

Mixing a Nick

Pour an ounce of sweetness in the bottom of a tall fluted glass. Drop a hard candy shell on top of that.
Float dropwise on the back of a spoon, in order:

1/2 oz. self-consciousness

1 oz. empathy and concern

1/2 oz. starry-eyed idealism

1 oz. cynicism

2 oz. snarky eloquence

With the layers constructed, pour a shot of brazen ego. When presenting the drink to a new person, add the shot on top, and light it on fire.

To drink, first put out the fire, then sip carefully. You’ll get the flavors in the reverse of the order that they were added, but to get all the way to the bottom you’ll have to crack the shell.

I still think about you

I still think about you. Six years together isn’t something that can just be set aside. I am sometimes so happy for you that I am vicariously delirious, and sometimes worried that my leaving left you to move too fast the next time. I hope this is exactly what you want. I am unutterably proud that you and I can be the kind of friends we always were now that friends is all we are. I will always care about you, and I will always think of you

I still think about you. It was just a weekend. Just a weekend, and several months of messages back and forth, detailing everything about our lives. Just a weekend, and messages, and a connection I hadn’t ever felt before. Just a weekend, and some messages, and a connection, and the memory of your skin. Just a weekend, and messages, and connection, and memories, and a little bit of myself left behind when you moved on before I did. It was just a weekend, but I still think about you, and I think I always will.

I still think about you. It was never love, and never would be. Just a few weeks, and some obvious problems from the first date. We couldn’t be what the other needed. But I knew you were troubled from the moment I saw you, and I knew that you’d never be still. You’re married now, and still troubled, and I think it won’t last. I knew you were no good for me, so I ended it, but sometimes I feel selfish because of it. I worry about you, and I wish you would return my calls, and I still think of you.

I still think about you most of all. Everyone knows why. I wish we’d had more time.

I still think about you. We were probably incompatible, and certainly too far away to try to figure it out. I had a great time with you, but you definitely got to see the bad side of me sooner than I’d have liked. That’s all right, though, it’s all part of me, and if those times when I am generous don’t make up for those times when I am petty then it could never work. I do care about you, though, and I still think about you, and I hope your life goes well.

I still think about you. That’s mostly out of puzzlement. I’m still not sure whether you were ever attracted to me, or what it is that you felt I should do. I know that I did something that you didn’t care for, but I suspect that I’ll never know what it was. I’m not upset, just confused, and that sometimes makes me think of you.

I still think about you. One date, and then back to your ex, but I still think about you. Having met him, knowing what he’s like, I can’t decide if I’m more relieved that you don’t like me or insulted that you’d go back to someone like that. I wish you well, though, and every once in a while I’ll still think about you.

I still think about you. Just as a friend, I promise. Maybe if circumstances were different, and maybe if I didn’t see the way that you looked at him, but I have no illusions, and less desire to put myself in a place to be hurt again in the way that I have been hurt before. In other circumstances, I think we could be good, but it’s not to be. That’s fine. It won’t stop me from thinking about you.

Three Poems

Three poems, all I’ve left of you
One sad, one smart, one bold
Three poems now of what we two
Once in our hearts did hold
Three poems made in all our years
So smothered, dark and cold
Three poems, no more, my issue
Though I am years more old

Three songs I write to bring me on
Hopeful, grinning, alive
Three songs I have now I am gone
I think that I might thrive
Three songs, three months, and more to come
Alone I find I strive
Three songs, now that I’m not withdrawn
My rediscovered drive

Three times I cried when you were lost
But I have made my choice
Three times I felt too great the cost
And yet I’ve found my voice
Three times I let my tears exhaust
Urged you toward other boys
Three times I mourned our paths uncrossed
But now I must rejoice

Sweet Gina

Gina knows what’s in the mixed-up files
And Gina, she flies off to emerald isles
She’s got mermaid hair and a devil’s smile
And she’s fun even if a bit lacking in guile

Gina’s dramatic but no drama queen
And she knows of the worst art that I’ve ever seen
In a back-and-forth style she writes poetry keen
Even if voltas missed make her get mean

And Gina, sweet Gina
Six feet tall and a ball
Oh, Gina, sweet Gina
Should have it all
Never fall
Never worry at all
And I don’t think she knows
When she’s happy she glows
But that’s how it goes
Sweet Gina, my friend

She’s crossing the bridges and crossing the sea
To things Terabithian or Viennese
And even if she is a bit far from me
There’s no one whose happiness I’d rather see

And she’s opening kids up to wonder and art
A beautiful stunner with angelic heart
She just wants her kids to be happy and smart
And she works herself so hard just doing her part

And Gina, sweet Gina
Six feet tall and a ball
Oh, Gina, sweet Gina
Should have it all
Never fall
Never worry at all
And I don’t think she knows
We would fight all her foes
But that’s how it goes
Sweet Gina, my friend

And Gina
Oh, Gina
Sweet Gina
You don’t know
Gina, sweet Gina
Folks love you so
Gina
Oh, Gina
You are like whoa
You bestow
On the beaux
With a smile and “Hello”
Such a boosted ego
No, you don’t know
Sweet Gina, oh

Gina’s right hook is a mighty attack
And her eyebrows so fearsome you’re taken aback
While charm and affection she sure doesn’t lack
Intimidation can slow down the mack

Gina’s got everything all in a list
And if you meet her then she will insist
You help her find words that the others have missed
She’s filling notebooks and you will assist

Gina makes this world an excellent place
A wonderful mind and a beautiful face
And even if she’s mildly lacking in grace
She’s a friend that no other could ever replace

Gina, sweet Gina
Love you (Platonically) so

Loverbird

Lonely little loverbird, she looks for love a lotLoveless little loverbird, she finds it where it’s not
Lovelessbird, she needs her love, but why she does not wot
Loveless lonely little bird delivers love for aught

Little bird is still alone although she thinks she’s not
Lovely little bird alone is listless and distraught
Loverbird without a love likes little that she’s got
Liking little loneliness, the loverbird is caught

Learn to like yourself alone you loverbird, unknot
Lease your love less cheaply, dear, and learn to love your lot
Longing pain will lessen if you’ll like the life you’ve got
Lonely little loverbird, reject the things you ought

Morning Masquerade

Bubbled in gray mist
Enclosed
All fades from view
A morning fog renders
My world quiet and small
And I am
Myself

Freed
From
Expectation
I am as I am as I would be

Masked from all
Unadorned
Behind this veil I lift my veil
And for a moment, oh so brief
I am me

Outside my globe
Bustles one larger
And I am to it to return
I will once again
Be
Scrutinized
By
Others’ eyes
And again will wear my own mask

Escape

She was little, and a little shy, and a little awkward. It took her a while to warm up to someone new, and she’d never break the ice on her own. She was reserved, but a little empathy could see, behind that tense expression, a flood barely checked. When that dike broke, the deluge was astonishing. Out of that bound-up little package would come a light that turned on the whole world. If she could be seen like this by someone who did not immediately fall in love, I have no evidence of it.

I think this city killed her.

Once past that reserve, once through those walls, she was something unearthly. She would dance and play and charm, and nothing could hold her back. Her smile was a crescent moon, a maniac grin, full of mad beauty and laughter. She had a voice like a bell and a sway like the sea.

All was hardly sweetness and light, though; she had a crude sense of humor, and she could keep up a stream of unsubtle innuendo that would make a trucker blush. Her music was—like her—dark, beautiful and troubled.

The difference in our ages was, while uncomfortable, not enough to hold me back. Something about her drew me, at a time when I wasn’t sure that there was anyone here I could connect to. Things were slow to start, because we were both very skittish for very good reasons. We were nervous around each other, both scared by the sense of connection. Inertia will hold you still, but once things get moving inertia just carries you forward.

In a town this full of people, it’s astonishing how hard it is to meet someone. This place is full of runners who can’t see over the side of their ruts. People here will speak to you if spoken to, but when your words don’t require responses the conversation will end. Their eyes glaze back over and they continue on their somniac way. They sleepwalk down the sidewalk from their office to their home, never looking up.

She was always looking up.

I think this city killed her.

We’d talk about daring escape plans until the small hours of the morning. Plotting our getaway became like pornography for us, a new method of arousing one another. In these discussions, the thousand things that mired us home would drop away, and we’d forget family and friends, leases and mortgages, debt and logistics and supplies, and for a while we were there, somewhere. Another where. San Francisco, Portland, New York, Toronto, Beijing, the Hague. Just, anywhere. Anywhere but here.

Maybe we’d sell everything except books and a change of clothes, and just run west as far as our gas money would take us. We’d sing for our supper when the money ran out. I’d learn to play guitar and she would dance. When we hit LA, we’d be snapped up with a record contract and make dark, pretty, earnest music that would be a surprise financial success without ever breaking the mainstream. We’d tour the world, but never come back here.

We’d run away and join the cliché. She’d become a lion tamer and I’d start out as a clown. Working my way up the ranks through a combination of guile and charm—and with a few convenient Panthera leo related accidents—I’d become ringmaster, and we’d take the thing over. We’d craft a new and interesting cabaret-style show—a little bit Cirque du Soleil, a little bit Dresden Dolls. We’d rewrite the circuit route, and it wouldn’t go through this town ever again.

We’d join a van full of traveling proselytizers. We’d gradually corrupt them from the inside, turning them into a full blown cult. We’d declare this city anathema, and command our followers never to cross its borders. Eventually, our little cult would hit the mainstream, convert the country, and this city would become a ghost town. In an orgy of religious furor, we’d descend on it, razing it to the ground and salting the earth behind us.

Maybe we’d just get on the bus, or the train, or just start walking. We should have. It’s surprisingly hard to leave a prison with no walls.

Realities kept us apart. Schedules, obligations, reasons good and bad. Fear. We tried and failed, because we didn’t try very hard, but we were getting better about that. Neither of us was spending time with other people, and yet we just couldn’t manage to spend time with each other. We’d forgotten what a rare and amazing thing it was to meet anyone here who didn’t blend into the background, and we let it slip away.

They found her in her room, peacefully reposed but for a terribly traumatized cat that had been locked in with her all day. Questions were asked and only ever partially answered. It was probably an overdose, probably an accident, and there was probably no one to blame. She’d just been in pain, and took enough medication for it that her little frame was overwhelmed. The toxicology reports came back, eventually, and any doctor who looked at them would tell you that it was the morphine.

Me?

I think this city killed her.

Sometimes I think it’s killing me.

Homo Sum

Homo sum; humani nihil a me alienum puto. – Publius Terentius Afer

I am human.

I consider nothing human alien to me.

There is nothing I cannot do, and little I have not done. Brain and thumb, brain and thumb I’ve climbed the sky. Sea, earth, tree, land, sea, sky, moon—stars? These things are touched by me, claimed by me, made my own. From nothing I have built everything; from emptiness I have carved plenty. From humble beginning I have progressed far, and will progress further. Did Lucifer fall? I rose.

I am human.

I am namer, and shaper. Creator. Destroyer. Breaker and fixer. All land is my land, all things are my things. I have been a steward and a wastrel, benevolent, malevolent, indifferent. I learn, I grow, I discard what I have learned and I return. I progress, and regress, but I progress again. I have built libraries, and I have burned them, but I have built them again. I will burn them again, but I will build them once more. Better? Perhaps. I’ll try.

Publius Terentius Afer.  Praenomen Publius, from the same root as “the public”. Nomen Terentius, for the man who had him educated and freed, and also the man who had once enslaved him. Cognomen Afer, indicating his African origin. Publius Terentius Afer was a slave and then a freedman and then one of Rome’s most famous poets. He lived so many lives, and in one of his plays he wrote “Homo sum: humani nihil a me alienum puto”.

Nothing human is alien to me.

I have conquered the Other, and been conquered by Another. Late—too late? perhaps—I have learned that they are both Myself. I have oppressed, and been oppressed, and will oppress again. I have cast off my oppressors, and I will cast them off again. Each time, does the oppression become more difficult? Perhaps. I think.

I am a victim. I have been beaten, bloodied, burnt. I have been enslaved. I have been raped and murdered. I have been robbed and cheated. Impoverished. I have been made less than I am. I have been hurt.

I am rapist, murderer, thief, and cheat. I have hurt. I will hurt again.

I am human.

I consider nothing that is human alien to me.

Slowly. Slowly. Oh, so slowly. I improve. Every year, every day, every second I am better than I was. I slide back, but. Brain and thumb, brain and thumb I climb the mind. There is a little. A little. Oh, so little less pain in the world with every new movement I make. Glacial, ponderous, I move forward.

Homo sum; humani nihil a me alienum puto.

Terentius would no longer recognize me. In two thousand years I will no longer know myself. I have found the keys to so many locks, cast off so many chains, but I have many more to shed. I have traveled, far, but there is no rest to come.

Human.

I am human.

We are human; hold nothing human alien to us.

My Town

Sleepy town and and insomniac I
Are no great friends
Struggle I against its weight
And yet
Deep beneath its sopor
I
am
Trapped
Forced into torpor
By
My
Lack

By my nature I am made
Of FIRE
But this place is too wet of
A blanket upon my face
And smothered
Smolder I
Be
Neath
The
Nave
Of
This
Nap
Town

Dragging from place to place
Hunting for life
Fire needs to breathe
I am
The spark
I have
The fuel
But search I for others
And the Oh, Too
That I need to blaze

Is this living?
I think that here I mere
Ly exist
And I must leave
Lest I go out completely
Or I burn
This
Blanket
Down

Another

I love
To see
Your face alight
I love
To see
Your hands entwined
I love
To see
You live your life
Not mine

And you
Deserve
What heart you want
I could
Not give
That you deserve
You changed
Your wants
And I joy to
Observe

I love
Lovely
My lover lost
A love
You love
May that love swell
Call down
On me
The best revenge:
Live well

Madeleine L'Engle died yesterday

Two days ago, technically, given the time. I only just found out.

I can’t describe how much this affects me. I don’t think there is an author who even approaches the effect that L’Engle had in shaping my adult personality. A Wrinkle in Time is, of course, classic, but I’ve voraciously devoured every one of her texts that I’ve had the good fortune to encounter, and each has left its mark. Her continuation of the sci-fi “Kairos” universe from the Wrinkle trilogy was fascinating, but as much as I loved The Arm of the Starfish et al, I equally adored her “standard” fiction in her “Chronos” books, such as The Moon by Night and A Ring of Endless Light.

I found out later than I might have. Apparently, my friends were keeping the news from me because they knew I’d take it badly. They’re sweet, if misguided. They know that I don’t pay enough attention to mainstream news to find out otherwise.

I have the volumes of The Crosswicks Journal sitting here by my computer. I’ve only started the first. I keep getting distracted by other books and by the rest of my life. I can’t shake the sensation that, if I’d read them, she’d still be here. Ridiculous, of course, but that’s what it’s like inside my head sometimes.

I’ve wanted to meet her for almost as long as I’ve been a sentient creature. I won’t. The sense of loss is overwhelming at the moment. A character in one of her books mentioned that no one had written a poem about a sycamore tree. I wrote one for her when I was twelve, and I always meant to show her. It’s actually not bad, for a twelve-year-old’s writing.

L’Engle was the writer-in-residence at the Cathedral of St. John the Divine. As an atheist, I was always grateful for her perspective on Christianity. I felt, for want of a better word, blessed to have a window into the sort of compassionate and approachable theism that exists in her works. Hers was a Christianity reverent of science and reason, beautiful and tempting. It is ultimately not what I believe, but something to which I am deeply sympathetic.

If I can one day have a tenth, or a hundredth, of the effect that she’s had on the world, I will count my life worth being lived.

Johnson County

I gotta little baby
And she’s mine all mine
And I gotta get to see her
But there ain’t much time
And I got the needle layin’
On the thick red line
But I gotta take a little trip
Back in time

And I
Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

‘Cause I gotta lotta Jack
And little bit o’ wine
And I gotta lotta trouble
Waitin’ over that line
If I can just bust through
Then I’m gonna be fine
But if I’m gonna make it
MPH’s gotta climb

‘Cause I
Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

Johnson county sheriff
Ain’t no friend o’ mine
Got me eight times before
And he wanna make it nine
And this road only goes
Just a little ‘cross the line
So if get these wheels a-rollin’
Then I oughta be fine

But I
Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

Just two miles to go
When I see them lights
And I’m gonna lay it down
And try to make it right
‘Cause he knows he can’t get me
Cross the county line
And I know I’m gonna risk it
‘Cause my baby’s so fine

So with that pedal down
I’m a-makin’ time
And those lights are growin’
Like I’m gonna go blind
But I’m screaming along
Down ol’ County Line
And when hit I that gravel
Then my baby’s gonna be
Mine
Mine
MINE!

But I
Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county

Gotta get out of Johnson county
Gotta get out of Johnson county
Gotta get away from the local mounties
Gotta get out of Johnson county